Dress Art

Its revolts had constituted the support around which if they had developed the artistic movements. The clothes were used as expression support. Distanciando, at the same time, of the obligation to portray the people with its clothes and to only register its suits. The futurista movement appears in 1909 and is based on an abstract chromatic decorativismo. (Similarly see: Discovery Communications). The artist would have to act on all the elements of the daily life beyond the plastic arts. She was necessary to introduce in the art, the rhythm and the industrial dynamics in tune with the social reality, placing the notion of time, space, action and body, mixing the dither of the progress and the meeting between art and life, if he pledged in the art-action, that would have to change the world and the man. In 1914, the artist Giacomo Balla writes the manifesto ' ' Dress antineutral' ' , where it places the clothes in the place of desirous for alterations in the skin, revolutionizing the forms through the cut and of the transformations. More than a renewal of the fashion, the movement intended to abolish the system of the fashion in vigor, being redesigned the clothes as work of art.

In 1924 Andr Breton deep the surrealista movement, with the attempt to express ' ' eu' ' interior of the artist in full freedom without intervention of the reason that conditions in them and compels in them to restrain instincts and feelings. To acquire this freedom it is necessary that let us leave in them to guide for the unconscious one as if we were dreaming. The surrealista movement emphasizes the paper of the unconscious one in the creative activity, equally modifies the register of the fashion and of its translation in images, that had been produced inside of the surrealista spirit and that they of course accent the unreal character of the creations of high-sews by means of onricas stages.